United forever, whatever the weather Less than 100%? Never!The son of a miner, funkiest rhymerAlways in the news, my crew the headlinerÃÂ£7.5 mill record breaker, IÃ¢ÂÂm rapping on the mic, keeping it realIÃ¢ÂÂm keeping the raw.Andy Cole, Outstanding, 1999
In the late Ã¢ÂÂ90s, then-Manchester United striker Andy (not yet Andrew) Cole, flushed with Champions League success, released his debut pop single Ã¢ÂÂ a cover of The Gap BandÃ¢ÂÂs Outstanding, featuring a painful diatribe rapped over the top.
It stiffed, but in the accompanying promotional junket Cole delivered a revealing interview to Time Out magazine, assessing a selection of other singing footballers.
When played Ian WrightÃ¢ÂÂs Do The Wright Thing, Cole enquired, Ã¢ÂÂI remember this well. Who wrote this? Stock, Aitken and Waterman?Ã¢ÂÂ (Pop fans note: it was actually Pet Shop BoyÃ¢ÂÂs Chris Lowe).
On Martin BuchanÃ¢ÂÂs Martin Buchan Blues he awarded a Ã¢ÂÂ10 out of 10. ItÃ¢ÂÂs cool when you consider what type of music was out in 1976.Ã¢ÂÂ
This Time..., the 1982 England World Cup song and LiverpoolÃ¢ÂÂs Anfield Rap both received the thumbs down, before Cole was played Diamond Lights, as performed by SpursÃ¢ÂÂ flamboyant midfielders Glenn Hoddle and Chris Waddle.
Ã¢ÂÂNah!Ã¢ÂÂ snorted Cole. Ã¢ÂÂForget this. That was shocking, man. No, really, fast-forward this.Ã¢ÂÂ
Anfield Rap: Thumbs down from Coley
Despite OutstandingÃ¢ÂÂs lacklustre entry to the pop canon, Cole had inadvertently smacked the nail on its head.
Footballers, despite repeated attempts at musical stardom, cannot make records Ã¢ÂÂ in much the same way that Diana Ross canÃ¢ÂÂt kick a football into a gaping net at the opening ceremony of the 1994 World Cup or Chris Martin wouldnÃ¢ÂÂt pick up the ball on the halfway line, weave his way through a barrage of defenders and ping a drive into the top corner from 25 yards in the Champions League final.
Even to the casual observer it seems nigh-on impossible to hold down a career in both. Dedication, physical perfection and regimented diet hardly feature on the schedules of most touring bands. Drugs, groupies and sleepless nights are frowned upon at most professional clubs.
Not that a string of players have cared Ã¢ÂÂ theyÃ¢ÂÂve had a riot peppering the charts with poorly-produced novelty singles.
Terry Venables and John Charles both released records in the 1960s before Kevin Keegan made the first laughable stab at pop stardom with his single Head Over Heels in 1979. It only reached number 31 in the charts but a trend was set.
By the mid-Ã¢ÂÂ80s, Spurs midfielders Glenn Hoddle and Chris Waddle had released two records Ã¢ÂÂ Diamond Lights and ItÃ¢ÂÂs Goodbye Ã¢ÂÂ to muted response, while a decade later Ian Wright and Andy Cole were laying down hip-hop cuts with a level of fan enthusiasm unnoticed within Spicemania.
For an indication at just how bad these singles were, itÃ¢ÂÂs worth considering that Gazza topped the lot with his Number Two smash Fog On The Tyne in 1990.
Gazza and his guitar top the charts, almost
But rock stars have added to the whole sorry phenomenon too Ã¢ÂÂ lyrically at least.
Bands referencing the game in song include Morrissey (RoyÃ¢ÂÂs Keen), Billy Bragg (Moving The Goalposts, GodÃ¢ÂÂs Footballer and Shirley Ã¢ÂÂ Ã¢ÂÂHow can you lie there and think of England when you donÃ¢ÂÂt even know whoÃ¢ÂÂs in the team?Ã¢ÂÂ), Don Fardon (The Belfast Boy Ã¢ÂÂ a song praising George Best) and Half Man, Half Biscuit (I Was A Teenage Honved Fan).
Also guilty are The Wedding Present, The Fall, I, Ludicrous, and Super Furry Animals, whose single The Man DonÃ¢ÂÂt Give A F*ck featured notorious Reading player Robin Friday on the cover.
Ã¢ÂÂHis daughter and wife were really upset about it,Ã¢ÂÂ says drummer Dafydd Ieuan. Ã¢ÂÂThey got in touch to say, actually, he did give a f*ck.Ã¢ÂÂ
Still, when it comes to creative inspiration, thereÃ¢ÂÂs nothing to match the FA Cup final muse which so often drives bands to pen songs for their favourite teams, most notably ChasÃ¢ÂÂnÃ¢ÂÂDave who penned the Rockney masterpiece OssieÃ¢ÂÂs Dream for Spurs in 1981, complete with the couplet:
Ã¢ÂÂOssieÃ¢ÂÂs going to WembleyHis knees have gone all trembly.Ã¢ÂÂ
Clive Allen reaches for the high note
This seasonal horror is only surpassed by the build-up to an international tournament as the whole process goes into meltdown and bands proffer their support for the national team.
Step forward New Order (World In Motion, 1986), Echo And The Bunnymen, The Spice Girls and Ocean Colour Scene (Top Of The World, 1998) and Ian Broudie of The Lightning Seeds (Three Lions, 1996 and 2002).
Ã¢ÂÂI've never ever written a song about football apart from Three Lions,Ã¢ÂÂ says Liverpool fan Broudie.
Ã¢ÂÂI remember when the FA got in touch and asked me to write a single for Euro 96 and I said no first of all because I was a little bit uncomfortable with the whole En-Ger-Land thing. I know New Order did that song but I didn't even like it that much.
"I remember they were doing games at Anfield for Euro 96 and before the end of the season a few pennants went up and that's when I thought, Ã¢ÂÂActually it's going to be here at AnfieldÃ¢ÂÂ and I got quite into it.Ã¢ÂÂ
Of course, it could be worse. ScotlandÃ¢ÂÂs 1998 World Cup campaign was infamously soundtracked by folk rockers Del AmitriÃ¢ÂÂs prophetic DonÃ¢ÂÂt Come Home Too Soon. Craig BrownÃ¢ÂÂs team were duly knocked out in the group stages.
Still, what these singles really create is an arena in which John Barnes can rap, Gazza can sing and the entire squad Ã¢ÂÂ complete with kitman, physio and masseur Ã¢ÂÂ can sway awkwardly in a low-budget promotional video while clutching oversized headphones.
What songwriter could resist the association? Sadly, the results are often intolerable.
Ã¢ÂÂEngland players can just about play football,Ã¢ÂÂ hisses Ian McCulloch, Ã¢ÂÂlet alone sing.Ã¢ÂÂ Nevertheless popÃ¢ÂÂs elite are as wide eyed in adulation of footballers as the next man.
Football is the great leveller. Most bands, despite their too-cool-for-school demeanour, will boast at least one long-suffering fan among their ranks.
Ã¢ÂÂJohnny Rotten would always get pissed off when we started talking football,Ã¢ÂÂ recalls former Sex Pistol Glen Matlock, a QPR fan.
Ã¢ÂÂHe couldnÃ¢ÂÂt get his head round it. He would say things like, Ã¢ÂÂWhatÃ¢ÂÂs so special about 22 grown men kicking a football around a muddy field? ItÃ¢ÂÂs crap.Ã¢ÂÂ
"And then, with Euro Ã¢ÂÂ96 and football suddenly becoming a fairly credible sport again, all of a sudden heÃ¢ÂÂs saying, Ã¢ÂÂOh yeah, IÃ¢ÂÂm a massive Arsenal fan. IÃ¢ÂÂve always been a massive Arsenal fan.Ã¢ÂÂ
Not content with falling over at celebrity five-a-side tournaments, countless artists have played shows at a treasured stadium (Oasis at Maine Road) or bought the club (Elton John at Watford), while Leeds Britpop band Kaiser Chiefs stole (and misspelt) their name from the South African side once captained by Elland Road favourite, Lucas Radebe.
Ã¢ÂÂBands love football because itÃ¢ÂÂs such a contrast from what they do in the studio,Ã¢ÂÂ says The DelaysÃ¢ÂÂ Greg Gilbert.
Ã¢ÂÂWhen youÃ¢ÂÂre recording an album itÃ¢ÂÂs all about thought and analysis. YouÃ¢ÂÂre expressing yourself, but in a thoughtful way. When it comes to football thereÃ¢ÂÂs no bullshit. ItÃ¢ÂÂs a physical one on one where great players rise to the top. And you canÃ¢ÂÂt help but notice great players.
"Everything is so quick and instinctive too, more instinctive than making a record. As a musician, IÃ¢ÂÂm into the detail, whereas football is more about getting on the pitch and doing it.Ã¢ÂÂ
Footballers arenÃ¢ÂÂt above a little hero worship either Ã¢ÂÂ and not just towards the likes of perennial favourites, Luther Vandross and Phil Collins. Rumour has it that former Scotland midfielder Pat Nevin was such a fan of indie band The Cocteau Twins that he was substituted during a Chelsea reserve game so he could catch their London show.
Mani recalls seeing a string of Manchester United players at Stone Roses gigs while punk fan Stuart Pearce went so far as to introduce The Sex Pistols at a Finsbury Park show in 1996 with the cry of Ã¢ÂÂWho said there were no more heroes? Ladies and gentlemen... The Sex Pistols!Ã¢ÂÂ
Nevin: "Five more minutes gaffer, then I've really got to go"
Fortunately, these Ã¢ÂÂsuperfansÃ¢ÂÂ seem aware of the unwritten rule: a little love is OK but unwavering obsession is a dangerous thing.
Any player unsure of the consequences of falling too deeply should look back at history and the likes of Gazza, George Best and Stan Bowles.
Mixing the rockÃ¢ÂÂnÃ¢ÂÂroll lifestyle with training ground discipline just doesnÃ¢ÂÂt work. And nobody has ever taken the football aspirations of Harvey from So Solid Crew, Rod Stewart or Robbie Williams very seriously.
But you canÃ¢ÂÂt blame people for trying, both are rewarding businesses after all.
Ã¢ÂÂFootball is like music,Ã¢ÂÂ says Mani, Manchester United fan, formerly bassist with Stone Roses, now Primal Scream.
Ã¢ÂÂThere are so many people who are really good at it and theyÃ¢ÂÂre worth every penny they get. And when it comes together, whether thatÃ¢ÂÂs on the pitch or on record it makes it all worth it. ItÃ¢ÂÂs f*cking beautiful.Ã¢ÂÂ Wednesday: How football became the new rock'n'roll
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